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Screening of Kalasha Film and TV Awards to boost Nakuru's film industry

Lin u of the films being screened in Nakuru

Photo credit: COURTESY

‎Film lovers in Nakuru are in for a cinematic treat as the Kalasha International Film & TV Awards brings a special two-day screening programme to the city this weekend with free entry for all attendees.

‎‎The screenings, scheduled for April 17–18, 2026, will take place at the Old Town Hall, showcasing a rich mix of local productions that highlight the depth and diversity of Kenya’s growing film industry.

‎‎The programme features a wide range of films catering to different audiences and age groups. Among the standout titles lined up for Friday are Makosa Ni Yangu (+18), Sukari (+16), and the family-friendly Matatu Master (GE). Also on the bill are Asunder (+18), Letters to Dad (PG), The Big Sad Nairobi (PG 10), Lore (PG), and Unyangoni (+18), each offering unique storytelling perspectives from deeply personal narratives to socially reflective themes.

‎‎On Saturday, audiences can catch additional screenings beginning at 11:00 a.m., including Dinner for Three (PG), Bella is Dying Next Week (GE), and Ajeni (+18). The line-up continues with Ngone Mwaitu (+16), Owadwa (GE), Safari (+18), and Wamaitha (+18), further cementing the festival’s commitment to showcasing bold and diverse Kenyan voices.

‎‎The Kalasha Awards, widely regarded as a key platform for promoting the local film and television industry, continue to expand their reach beyond Nairobi, bringing curated film experiences closer to regional audiences. 

‎‎The Nakuru screenings offer residents a rare opportunity to engage directly with contemporary Kenyan cinema in a communal setting at no cost.

‎‎With genres ranging from drama and documentary to experimental storytelling, the event is expected to attract film enthusiasts, creatives, and aspiring filmmakers eager to learn from and celebrate local talent.

‎‎Nakuru-based filmmaker Wilson Osiolo says the screening presents a valuable learning opportunity for local filmmakers, while also raising concerns about the limited representation of Nakuru productions.

‎‎He explains that showcasing Nakuru films alongside those from other regions allows filmmakers to identify areas for improvement, both creatively and in how audiences receive their work.

‎‎He adds that such platforms also give audiences a chance to engage with and appreciate local productions, helping to reinforce the message that Nakuru is home to quality filmmaking.